Crossovers: A Secret Chronology of the World

In 2001, I first discovered Win Scott Eckert's Crossover Chronology.  As a crossover fanatic, I was overwhelmed, and read the thing straight through in just a few days.

In 2004, during the era when Powerman was in self-exile, traveling through space, time, and alternate realities. He had been doing so for about a year at this point in the series, but had only been encountering new characters and settings, or familiar ones from within the Super Comics Universe and Multiverse.

But in late 2004, I chose to incorporate the works of Win Scott Eckert's chronology, including all the events and characters, as well as the articles of Wold Newtonry mentioned within the chronology.  From 2004 to 2007, Powerman started encountering characters from Win's Crossover Chronology, in the past, present and future.  In 2007, Powerman returned home, but over in Super Team-Up, stories continued to involve Powerman teaming with the characters from Win's Chronology.

Last year, the chronology evolved into a two volume book called Crossovers:  A Secret Chronology of the World, which was a much expanded version of the online chronology.  Of course I ordered the book within minutes of learning it was available for sale.  Powerman continues to encounter characters brought in from Win's work, as do other characters like Powerkid and the Wanderer.  The chronology is firmly a part of Wronskiverse canon, with a few minor areas where there is a conflict with already established Wronskiverse canon.  But those are very, very minor.

Of course, some characters from the chronology were already in.  Sherlock Holmes, Dracula, Tarzan, the Lone Ranger, Star Trek, Doctor Who, Superman, Batman, Wonder Woman, Captain America, Law & Order, and some others had already existed in the Wronskiverse long before I discovered Win's site.  And it was because of those that I felt so comfortable including his whole chronology.

Of course, just as my inclusion of some elements of the DC Universe doesn't go in reverse, the same goes here.  Win's works exist within his Crossover Universe.  But his work is so great, that is is considered by Henry Covert of the Wold Newton Meteoric Society to be a key piece of the Wold Newton Universe.  Additionally, it is also the what I would consider the Bible for my Television Crossover Universe.  So the chronology really exists in at least four realities.

Bud Fisher

Occasionally, I will do bios of the creators who have contributed to Super Comics either directly or indirectly.  Today I will cover Bud Fisher.


Bud Fisher is the creator of Mutt and Jeff.  As Dennis E. Power revealed, that duo are the immortals Ollu and Buzsla.  In 2007, Win Scott Eckert's crossover chronology, which later evolved into his two volume Crossovers:  A Secret Chronology of the World.  Win incorporated Dennis' Ollu and Buzsla into his work, thus it also was incorporated into the Wronskiverse.  Incidentally, it was during Powerman's adventures in time and space that Crossovers was incorporated.  Powerman encounterd many characters who had counterparts in the Wold Newton Universe.

From Wikipedia, the free encyclopedia

Bud Fisher at work.

Harry Conway "Bud" Fisher (April 3, 1885 – September 7, 1954) was an American cartoonist who created Mutt and Jeff, the first successful dailycomic strip in the United States.

Born in Chicago, Illinois, Fisher studied at the University of Chicago and then went to work as a journalist and sketch artist in the sports department of the San Francisco Chronicle. In late 1907, he introduced a comic strip character named Mr. A. Mutt (the initial stood for Augustus) that became instantly popular with readers. In March 1908, Fisher added a second character, the diminutive Jeff, the opposite of the tall and skinny Mutt.

Mutt and Jeff gained such popularity that Fisher, who was able to claim copyright to the characters, received an offer to produce it for the San Francisco Examiner, owned by William Randolph Hearst. The move to the Hearst Corporation chain exposed the strip to a multitude of new readers across the United States.

In 1911, Nestor Studios of New Jersey acquired the right to make Mutt and Jeff short film comedies, after which Fisher decided he could make more money controlling film production himself. In 1913, he created the Bud Fisher Film Corporation and signed a deal with American Pathé. They made 36 Mutt and Jeff short comedies in 1913, but production ceased for two years when Fisher's copyright was challenged. Once the courts upheld Fisher's copyright claim, the comic strip was syndicated nationwide, and between 1916 and 1926, his film production company created another 277 Mutt and Jeff film productions. On these film projects, Fisher is almost exclusively credited as the writer, animator and director, although the majority of animation was by Raoul Barré and Charles Bowers.

Mutt and Jeff was also published in comic book form. The income from multiple uses of his characters made Fisher a wealthy man. In 1932, he authorized Al Smith to produce the strip under his supervision. Smith drew Mutt and Jeff for 48 years. When Fisher died in 1954, Smith began signing his own name and continued to draw the strip until 1980 when George Breisacher took over for its final two years.

Ownership of the strip went to Pierre de Beaumont (1915-2010), as detailed in The New York Times:

Mr. de Beaumont happened to own the rights to an emblematic American art form, the Mutt and Jeff comic strip, which he had inherited from his mother, a countess and occasional Broadway chorus girl. She had obtained them after a marital dispute that was widely covered in the newspapers and also involved frogs... The Countess de Beaumont had married — and, in a welter of wooings and suings avidly chronicled in the press, separated from — the cartoonist Harry C. Fisher. Mr. Fisher, known as Bud, had created what became Mutt and Jeff, the long-popular comic strip about two mismatched tinhorns, in 1907. In 1925, Mr. Fisher married Countess de Beaumont aboard a trans-Atlantic liner. In 1927, a New York judge granted her a legal separation after she testified, as The New York Times reported, to “her husband’s cruelty” in “permitting her to be neglected by his servants while they looked after a number of live frogs he maintained in their former apartment on Riverside Drive.” Mr. Fisher died in 1954. Mrs. Fisher, who apparently never divorced him, retained the rights to Mutt and Jeff. These later devolved on Mr. de Beaumont.^[1]